Monday, September 9, 2013

TC Electronic VoiceTone R1 Vocal Pedal

If you sing and play a MIDI keyboard, Harmony-M is a must. Not only does it make it easy to add vocal harmony, but it provides a complete vocal sound that normally requires much more equipment, knowledge and setup. Imagine a bright, compressed vocal sound with a touch of reverb on the verse and then kicking in harmonies on the chorus of your songs. You'll turn heads at every gig and rehearsal with Harmony-M. Harmony-M has a good ear for music. It listens to your performance and decides what harmony notes would sound best with your song. All you have to do is choose one of the presets, then play your keyboard and sing. No pre-programming or extensive musical or technical knowledge are required in order to use Harmony-M. VoiceTone R1 adds studio reverb polish to your live vocals by offering pro acoustic spaces from lush halls to tight ambience. With reverb algorithms ported from TC-Helicon's flagship VoicePro processor, VoiceTone R1 is capable of surrounding your voice in a warm ambience. Initial reflections, decay time and tail tone have been optimally balanced in the eight pre-set reverb styles so you can find the perfect sonic pillow for each song. Gaining access to the studio quality sounds and intelligent processing of VoiceTone singles is as simple as plugging in your mic and turning the effect on. Of course, you can always change the style or the amount of effect, but you shouldn't need to unfold the manual unless you're making a fire. Each VoiceTone single shares the same genes: a clean, quiet mic preamp that rivals high-end touring mixers, a die-cast metal case, rubberized no-slip base, studio quality analog to digital conversion, and the same quality processing you'd expect from our flagship vocal processors like VoiceLive 2. The revolutionary and patent pending Mic Control circuit is built into each VoiceTone single pedal. This allows TC-Helicon's MP-75 Modern Performance Vocal microphone's thumb switch to turn your VoiceTone single's effect on and off. Pic

Sunday, September 8, 2013

Lexicon MX400XL Dual Stereo/Surround Reverb Processor

The Lexicon MX400XL dual-stereo (4x4) Processor is equally at ease in the studio or a concert hall, with a unique VST/AU software interface via USB, delivering the classic Lexicon sound. You no longer have to compromise between the instant control of plug-in effects and the warm, complex depth of a dedicated hardware-based processor. The MX400XL acts as a hardware plug-in within any VST/AU-compatible workstation environment. In live performance, the intuitive front panel design indicates which effects are active and provides control for each 24-bit processor. 99 carefully crafted factory presets offer stunning reverbs and effects (including dbx dynamics!), with 99 programmable slots. World-class Lexicon effects with a unique VST interface and the convenience of USB. Lexicon MX400XL Features 17 legendary LexiconA reverbs Lexicon delays & modulation effects dbxA compression and de-essing Quad-processor design 7 effect routing options 99 Factory and 99 user programs for Stereo mode 99 Factory and 99 user programs for Dual-Stereo mode 25 Factory and 25 user surround programs USB Hardware Plug-In feature with VSTA and Audio Units plug-in software MX-Edit Editor-Librarian software Dual SPDIF Digital Input and Output 24 bit; 48kHz and 44.1kHz sample rates Large front panel LCD display MIDI IN and THRU XLR balanced input and output PLUG IN PROGRAMMING & RECALL WITH THE POWER OF LEXION HARDWARE. You want the rich, luscious sound thata€ s defined studio reverb for three decades: a genuine Lexicon hardware processor. But you also want the flexibility of programming high-quality effects right insideyour DAW programa€|without bogging down your CPU or resorting to expensive processing cards. Have it all with the MX400XL. All parameters of every reverb, delay and dynamic effect in this powerhouse quad processor are available inside any VSTA or AU compatible DAW program. Just link your computer to the MX400XL with a USB cable and control all automation and recall parameters exactly as you would with any software plug-in a€" while enjoying the sonic benefits only Lexicon hardware can provide. Along with Lexicon's unique hardware plug-ins for PC and MacA, they've also included MX-Edit Librarian software so you can store and recall custom programs or pull up your choice of 223 genuine Lexicon settings including 25 dedicated Surround Programs. At its heart, the MX400XL is everything you would expect from the company that invented digital reverberation. Seventeen Lexicon reverbs, delays and modulation effects plus dbxA compression and de-essing. A generous LCD display and big comfy knobs you can getyour hands around. 4-IN/4-OUT VERSATILITY, HANDS-ON CONTROL & ROAD-RUGGED CONSTRUCTION. Meet the most Lexicon power ever offered in a super-affordable 1RU effects processor. Perfect for band PAs, churches and clubs. Lexicon knows you need to be able to make changes quickly, so they designed the MX400XLa€ s intuitive front panel to be a bare minimum of knob tw

Radial Engineering Proav1 Single-Channel Direct Box

The Radial ProAV1 is a passive direct box specifically developed with the audio-video integrator in mind. The ProAV1 features a variety of stereo inputs that are merged via a resistive mixer to mono, greatly simplifying signal management. To eliminate the need for various adapters, a "Swiss Army" array of connections are provided, including 1/4" for instruments, RCA and 1/8" connectors for consumer electronics and computers, and a +4dB XLR input(s) for professional systems. Front panel connectors can also be used as thru-puts to allow multiple patch points. Custom-wound transformers are employed that are able to withstand exceptionally hot levels while maintaining linearity from 20Hz to 18.5kHz. The resulting smooth Bessel curve is warm and natural, making the AV1 particularly adept at handling digital sources that can sound harsh. Transformer isolation adds the benefit of eliminating ground loops that cause audio hum and buzz and video hum bars or snow. The ProAV1 direct box is ideal for events that interlace audio with video where music sources can include iPods, CD players, and video decks. The Radial ProAV1 will be a welcome addition to the AV technician's tool box. ProAV1 Direct Box Setup: Plug your audio-video device into the ProAV1 using any number of connection options from XLR to 1/8" mini connector. L & R Stereo inputs are paralleled to the unused L & R input connectors so you can use these as thru-puts to connect to other devices or destinations. Stereo inputs are summed to mono at the XLR output. See the user manual for complete details about all the connection possibilities. A -15dB pad is provided to tame hot signals and the ground lift eliminates hum and buzz caused by ground loops. Application note: If you can only plug into one channel, or your mixer is set for mono output, just using a single mono cable or one side of the Y cable won t work. You ll lose half of your stereo mix. If you want to run mono (especially for long distances), the Radial ProAV1 will sum the stereo outputs to balanced mono and provide transformer isolation to protect your equipment from phantom power traveling back to the unit (causing it to burn out). Never, we repeat, never try to combine two signals into one with a Y cable or use a single mono cable. Here s why: Outputs are low-impedance and always must be connected to a high-impedance input. If you tie the two outputs together (with a Y cable or mono cable), each output will try to drive the other, which can force them beyond the safe current limit and possibly into short circuit. At minimum, you will experience a severe loss of signal. Worst case; you can damage your iPod or laptop. To avoid this, a resistive mixer is required such as that found in the Radial Engineering ProAV1. Remember, a Y cable that splits one signal into two is okay (stereo to 2 x mono). Combining two signals into one is right out!

Saturday, September 7, 2013

Lexicon MX200 Dual Reverb Effects Processor with USB

The Lexicon MX200 has a user interface that is equally at ease in the studio or a concert hall, with a unique VST software interface via USB connection to recording programs, offering high flexibility and the classic Lexicon sound. In the studio, you no longer have to compromise between the instant control of plug-in effects and the warm, complex depth of a dedicated hardware-based processor. The MX200 acts as a hardware plug-in within any VST-compatible workstation environment. In live performance, its intuitive front panel design indicates which 2 effects are active and provides control for each 24-bit processor. 99 carefully-crafted factory presets offer stunning reverbs and effects (including dbx dynamics algorithms), with 99 programmable slots. The MX200 delivers Lexicona€ s world-class effects in a neat, single rack-space package, along with a unique VST user interface and convenient USB connection. Lexicon MX200 Features 16 legendary Lexicon reverbs Lexicon delays & modulation effects dbx Dynamics Dual-Processor design 4 Routing Configurations: Dual Mono Cascade Dual Stereo (Parallel) Mono Split 99 Factory and 99 User Programs USB z Hardware Plug-In Feature VST and Audio Units Plug-In Software MX-Edit Editor/Librarian Software SPDIF Digital Input & Output 24 bit, 48kHz Sample Rate Lexicon MX200 Effects Reverbs Small Hall Large Hall Small Plate Large Plate Room Chamber Gated Reverse Vocal Hall Vocal Plate Drum Hall Drum Plate Ambience Studio Arena Spring Delays Studio Delay Digital Delay Tape Delay Pong Delay Mod Delay Reverse Delay dbx Dynamics Compressor De-Esser Effects Chorus Flanger Phaser Tremolo / Pan Rotary Vibrato Pitch Shift Detune Two Processors. Two Unique Applications. One Rack Space. 32 Legendary Lexicon Effects. Endless Possibilities. Whether youa€ re looking for raw processing power with instant front-panel access for live performance, or seeking rich, smooth and complex processing algorithms in the studio, Lexicon brings the best of both worlds together in the MX200 Dual Reverb/Effects Processor. Designed with both live sound reinforcement and home recording in mind, MX200 features the deep, rich reverb and effects algorithms that built the Lexicon legend, and adds increased versatility with specialty effects and dbx dynamics. Each of the 32 stunning reverbs and effects a€" and their parameters a€" are all instantly accessible within a single button push or knob turn on the intelligently designed front panel without wading through bank after bank of tedious menus. Add powerful Editor/Librarian and VST / Audio Units software, and bring 35 years of Lexicon heritage to your desktop. Studio Operation In the studio, advances in computer-based recording have led many engineers to value the instant control and heads-up use of plug-in effects a€" but many still yearn for the rich, complex sound found in a dedicated hardware processor. Now, Lexicon provides a USB interface with intuitive cross-platform VST and Audio Unit plug-in win

Friday, September 6, 2013

Line 6 Pod Studio Ux1 With Pod Farm

This Line 6 POD Studio UX1 package includes the POD Farm plug-in and Ableton Live Lite 8-track recording software, an ideal platform for recording guitarists. This collection of studio-standard hardware and software provides instant pro guitar recording right out of the box. The Line 6 POD Studio UX1 boasts extremely low noise for recording guitar plus 12dB more dynamic range than similar interfaces, for clear and dynamic recordings. The exclusive Line 6 ToneDirect monitoring eliminates latency and allows you to record with amp and effect modeling without sacrificing tone or feel. Compact and powerful, the Line 6 UX1 recording interface features a 1/4-inch guitar input, a balanced XLR input with high-quality mic preamp, a pair of 1/4-inch line inputs, a 1/4-inch stereo monitor input, and a pair of 1/4-inch analog outs for a truly professional recording experience. Public Service Announcement: Latency KillsRecording with latency is like driving with your eyes closed. Line 6's ToneDirect monitoring allows you to record and monitor a fully processed guitar tone while virtually eliminating latency and taking all the guesswork out of recording great-sounding tracks. What's latency? Latency is the delay caused by the time it takes your guitar signal to travel all the way through your hardware interface, through your computer's processor, through your plug-in software, back through your hardware interface, and out of your speakers or headphones. This delay is significant in your monitoring signal and makes recording almost impossible. With a Line 6 POD Studio UX1 interface, latency is something you'll never have to deal with.

Thursday, September 5, 2013

Radial Engineering X-Amp 500 Reamp

The Radial X-Amp 500 Reamp is one of the eight modules designed to be comprise the Radial Workhorse Rack and Mixer System that combines the popular 500 series platform with an incredibly flexible patching system to let you create the ultimate studio environment. The Radial X-Amp is a 500 series module that lets you take a pre-recorded guitar track and send it back to amplifiers and effects so that you can tailor the sound to suit. The advantages of Reamping are many: when recording, the guitarist need only concentrate on the performance. Working out specific sounds and optimal mic placement can be done later. This eliminates hours of tiresome repetition while allowing the producer to adjust the character of the track as the production evolves. Using the X-Amp is 'plug and play' easy to use. The design begins with an XLR balanced line level input located on the 500 series rear panel that feeds the X-Amp. To ensure the very highest fidelity, 100% discrete class-A circuitry is employed. The X-Amp unbalances and buffers the pre-recorded signal where it then feeds two transformer isolated hi-Z guitar level outputs. The " jacks are front mounted for desk-top convenience and equipped with ground lifts to help eliminate hum and buzz caused by ground loops. Independent level controls enable you to adjust the drive going to each amp for optimal tone. Should one of the amps be out of phase, depressing the 180 quickly brings both in line. The X-Amp Reamper works with guitars, basses, keyboards and even voice! You can send the signal through guitar effects pedals too. In fact the only thing holding you back is your imagination. Active Reamp designed for 500 series racks100% discrete class-A electronics for best tone Transformer isolated to eliminate hum and buzz Easy access front panel jacks & controls

Tc Electronic Finalizer 96K

The TC Electronic Finalizer offers full up- and down-sampling, 24-bit/96kHz resolution A/D/A converters, and 30 presets to automatically produce quality masters. Or specify 4 simple parameters and the wizard will do the setup. The Finalizer's Extremely advanced intuitive LCD interface gives you precision monitoring and control of every stage in the signal path: analysis of signal types, internal effects abilities, external inserts, EQ, spectral stereo imaging, normalizer, compressor/limiter/expander, crossover, and much more. XLR (AES/EBU), RCA (S/PDIF), and optical (Tos-link, ADAT) connectors, plus balanced XLR ins. Asynchronous conversion with 5 sample rates.24-bit/96kHz resolution A/D/A converters Enter and exit at any of 5 sample rates (32, 44.1, 48, 88.2, and 96kHz)5-band 24-bit stereo equalizer Dynamic EQ, stereo adjust, digital radiance generator or spectral stereo image enhancement Realtime gain maximizer for normalizing Variable-slope multiband expander Multiband compressor Variable-ceiling multiband limiter Manual or auto fadeL/R balance in 0.1dB steps Extremely advanced intuitive LCD30 presets Setup generating wizard

Wednesday, September 4, 2013

Boss Ve-20 Vocal Effects Processor

The Boss VE20 vocal performer is theA essential stompbox for vocalists!A TheA easy-to-use VE20 has been designed from the ground up for singers, featuring some of the finest vocal-effects technology on the market. With the click of a footswitch, you can instantly add lush vocal layers and harmonies to your singing, add realtime pitch-correction, and you can show your creative side with special effects such as Distortion, Radio, and Strobe. You can even create loops and layers in real time with the onboard Phrase Looper. Perform anywhere with the VE20 since it runs on AC (optional power supply) or battery power. Boss VE20 Vocal Performer Features Specialized effects for vocalists, including Harmony, Double-Track, Dynamics, Reverb, Delay, and more Create the total of 3-part harmonies and layers Realtime pitch-correction tools Special FX, including Distortion, Radio and Strobe Phrase Looper with 38 seconds (mono) of recording time Phantom power for condenser microphones Runs on six AA-batteries or optional AC adaptor (PSA120S) Easy operation, road-tough Boss construction Simple Quality Boss VE20 takes your voice to a whole new level! VE20 is packed with essential, high quality effects for vocalists such as Reverb, Delay, Dynamics, Chorus, and more. These effects has been difficult for vocalists to have control of, but now the VE20 offers incredible easy user interface to totally control your vocal sound. Simply dial up your favorite setting and sing a€" no programming required. VE20 is a practical vocal effects processor even for first timers. Of course, if you want to roll your sleeves up and create, the VE20 has a variety of editing tools onboard. Harmony Factory Add lush harmonies to your lead vocals instantly as you sing. Select the harmony interval of your choice, or create multi-part stacks, such as upper third and lower fifth, and save them for instant recall. You can also thicken your vocals with Double Track. Best of all, the VE20 is incredibly easy to use. Therea€ s no need for programming, and you dona€ t need to input notes from a keyboard as you do with a Vocoder a€" simply sing and let the VE20 do the rest! Phrase Loop Sing, record, loop, and overdub with the onboard Phrase Looper, inherited from Bossa€ s popular RC20XL Loop Station. You get 38 seconds of mono record time to loop and layer phrases, and you can do it all in real time onstage. From doo-wop to human-beatbox, this tool will wow audiences! Special FX In addition to its harmony and pitch-correction tools, the VE20 offers a colorful and expressive collection of special effects, including Electric (made famous by artists such as Cher and Black-Eyed Peas), Robot, Strobe (rotary), Distortion, Chorus, and Reverb. Road Tough Design With the same solid-metal construction as other Boss stompboxes, the VE20 is built to last. Its footprint is identical to Boss Twin-Series pedals, ensuring that it will fit perfectly into existing multi-pedal Boss pedalboards and travel cases.

Tuesday, September 3, 2013

Sonuus G2m Universal Guitar To Midi Converter

The G2M Guitar to MIDI Converter from Sonuus is universal because it doesn't need a special pickup mounted on your guitar. Instead, the G2M simply connects to your guitar like any other effects pedal or tuner. Designed to give accurate triggering, with low-latency, the Sonuus GM2 is a true plug-and-play solution for monophonic MIDI guitar. It can be used to sequence bass lines and guitar solos add an edge to your live performancesit opens up many creative possibilities. No modifications are required to your guitar, there are no special pickups to install, and nothing needs to be "stuck" onto your instrument. It works with all electric guitars. Robust PerformanceResearch has shown us that the most important aspect for pitch-to-MIDI conversion is reliable and reproducible triggering of notes. While low-latency is important, robust triggering is the key to usabilityyou can easily adapt to some latency, but you cannot adapt to random, spurious notes. By virtue of the unique, inherently robust technology used in the G2M you will be able to reliably generate accurate MIDI quickly and easily. Notes are generated exactly as played, and the nuances of your performance are captured with fast, accurate pitch-bend data. Improves Playing TechniqueFor optimal MIDI conversion, your guitar playing needs to be clean and accurate. Accidental notes, resonating open strings and other sounds can often be converted into undesired MIDI notes. Often you don't hear these when playing guitar yourself, but can detect them easily when listening live to the generated MIDI. Striving to improve MIDI note accuracy encourages clean picking and accurate fingering, with good control over non-sounding strings by damping them. Not only will your MIDI output be more accurate, your normal guitar playing will sound clearer and more professional. It's like having a tutor sitting beside you giving you advice. It's also great fun! Usage IdeasSequencing bass lines The G2M is great for sequencing natural-sounding bass lines. It is often more convenient to play the bass line using the higher octaves on the guitar where tracking is most accurate and latency is lowest. The resulting recorded performance can then be transposed in your sequencer to use as a bass line. Many sequencers will allow transposition of any number of semitones. Then, for example, you can play on the 3rd string and transpose back to the 6th string or lower. Enhancing live performances Mixing your live guitar sound and a synthesizer sound generated via the G2M and your sound module or software synth provides a new dimension to your playing. Add to searing lead lines with a detuned synth lead, add rich harmonies using a transposed patch, get a huge wall of sound using bass sounds an octave down to follow your lead playing or rhythm picking. Once your guitar signal is translated into the MIDI domain, there's no limit to the layering of sounds you can achieve. Guitar SolosTricky-to-play fast guitar parts such as solos can be recorded

dbx DriveRack 260 Complete Equalization and Loudspeaker Control System

The dbx DriveRack 260 continues the legacy of DriveRack series, which has been created by the company that has been redefining the standard of signal processing for more than 30 years. The DriveRack 260 was designed with the purpose and vision of providing state-of-the-art signal processing, while utilizing a simple and intuitive user interface. This goal has been achieved by offering two independent channels of processing power with a linkable 28-Band Graphic Equalizer, industry-standard dbx stereo compressor module, feedback eliminator and the 120A Subharmonic Synthesizer on the input, with a six channel output system that includes parametric EQs, PeakStopPlus limiters (to provide protection against speaker blowouts) and alignment delay. These features combined with the Wizard setup system and complete DriveWare GUI control represent a methodical design that is guaranteed to deliver optimal, all-inclusive processing in a completely scalable system. dbx DriveRack 260 Features Feedback Elimination 2.7 Seconds of Alignment and Zone Delay RS-232 PC GUI control Classic dbx Compression and Limiting Graphic and Parametric EQ Auto-EQ Function Full Bandpass, Crossover, and Routing Configurations Auto Gain Control Pink Noise Generator and fulltime RTA Setup Wizard with JBL speaker and Crown Power Amplifier Tunings Security Lockout Wall Panel Control Inputs There is a reason that Tour Sound Professionals and discriminating Audio Contractors choose dbx DriveRack products for their high-end tours and installs. The DriveRack products provide the tools that ensure that the system sounds its very best. With the introduction of the new 260, the heritage of unrivaled system/loudspeaker control continues. The dbx DriveRack 260 capitalizes on the road tested and contractor approved nature of the other products in the DriveRack line. The 260 provides full bandpass and crossover configurations as well as independent output processing and a full time RTA for live sound applications. Contractors will appreciate its control inputs for wall-panel logic control and the patent-pending Advanced Feedback Suppression (AFS).

Monday, September 2, 2013

dbx DriveRack PA+ Complete Loudspeaker Management System

The DriveRack PA has already become a staple of the complete package for live sound perfection. The easiest way to make your PA sound clearer, punchier and all around better sounding, the Dbx Driverack PA Plus adds even more features and an improvement of over-all functionality. More settings, more control and enhanced circuitry; the sound you seek is right at your fingertips.

Sunday, September 1, 2013

TC-Helicon VoiceTone Synth HardTune and Vocoder Pedal

Finally, the effects you've heard on chart-topping tracks from artists pushing the envelope of vocal sounds are available in a pedal. VoiceTone Synth brings together a collection of exotic and current sonic mayhem including jagged HardTune effects, a MassiveBand Vocoder with voice-controlled synth and vocal distortion and megaphone effects. Now vocalists and anyone looking to add a modern edge to their live performances and studio productions can dial-in these effects instantly with the press of a footswitch. HardTuneThe jagged, stair-stepped vocal sound of key-based hard tuning is everywhere in contemporary R & B, Hip Hop and Electronica. This feature has eluded the majority of performing musicians until VoiceTone Synth came along. Now musicians can produce this effect live by simply recalling a preset and hitting the 'On' button. Easy key input methods include auto-instrument sensing or pushbuttons with a clear display of the current key. Other features of the HardTune effect include dry voice mixing, octave shift and character modification. VocoderThe vocoder in VoiceTone Synth is called 'Massive-Band' for a reason. It effectively scales resolution from ultra-clearly-enunciated Robot voices to the sound of the classic, analog low-band-count vocoders we all know and love. The benefit is that, while typical vocoders require a lot of pre-processing like distortion and EQ to hear the effect properly, with the VoiceTone Synth vocoder effect you can input signals such as clean acoustic guitar and vocode perfectly for sounds that until now have been impossible to achieve. Voice-controlled SynthThe Vocoder also features a voice-controlled synth modeconsidered by many as the Holy Grail for vocoding. Prior to VoiceTone Synth, vocoding required your voice (the exciter), and an instrument input (the carrier) to make cool vocoded sounds. Of course VoiceTone Synth supports the dual input method, but for artists who don't have another instrument or don't play one, VoiceTone Synth can generate a synth part directly from your vocal and vocode that. The result? Generated vocoder parts with one input: your voice. VoiceSupportVoiceSupport is a Windows/Mac application that via USB connects your VoiceTone Synth with our support network. What can you expect Access to software updates New preset downloads Support feed shows latest tips & tricks on using product Simple back-up and restoring of preset/setup data Product registration Hard Tune processor with option for octave shift and gender processing Vocoder effect with options for an external carrier input or various outboard synthesizer flavors Transducer effects create megaphones and distortion in series with HardCore and VocoderTone Processing with adaptive compression, Shape EQ and de-ess Clean, studio quality mic preamp with phantom power.10 user-editable presets with footswitch selectionXLR mono output with separate dry only outputUSB connectivity for update and back-up

TC Electronic M350 Reverb and Effects Processor

The TC Electronic M350 Dual-Engine Processor is extremely user-friendly and equally suited for live and studio applications. The M350 combines 15 brand-new TC-quality reverbs with 15 multi-purpose effects including delay, modulation and compression. Studio engineers and recording musicians will benefit from the included AU/VST compatible software editor, which allows for seamless control and editing integration with DAW systems. Through the included software editor, parameters and preset recalls may be fully automated or real-time controlled. High density 24 bit processing and AD/DA conversion delivers the full transparency of TC reverbs and effects. TC Electronic M350 Features Full DAW integration through VST/AU compatible editor 15 true and stunning stereo reverbs 15 legendary effects 5 seconds of delay 256 multi-effect/reverb presets + 99 user preset locations, a total of 355 presets Internal power supply a€" no wallwart! Dual send-return & serial style setups Auto-sensing 24 bit S/PDIF digital IO, 44.1-48 kHz Tap tempo Choice Selection of Effects The M350a€ s reverbs include: classic TC hall, cathedral, ambience, room as well as plates and springs, and the comprehensive effects section includes a number of essential compression, modulation and delay variations. Optimized Presets The 256 factory presets cover a wide range of applications and audio sources, and enable you to use the M350 right out of the box. With 99 additional user presets, the total number of presets amount to 355. Easy Front Panel Access M350 was designed with the utmost user-friendliness in mind. All reverb and effect types and parameters are accessible directly from the front panel, ensuring maximum flexibility in any given situation. Perfect for Computer Recording Through the included software, you can control and edit the M350a€ s parameters stand-alone and in any AU/VST environment. Comprehensive I/O The auto-sensing digital input at 24 bit S/PDIF ensures bullet-proof input connection in any setup. Furthermore, the M350 comes with an easy-to-read preset display, and provides MIDI in/out, MIDI clock tempo sync, pedal control of tap tempo, and global bypass. REVERB Reverb Introduction Inside the M350 youa€ ll find 15 shining world-class TC reverbs. Each of the reverb types is a result of extensive fine-tuning and research done at the TC reverb laboratories. Although the M350 is a non-expensive no-nonsense dual engine processor, youa€ ll find that the reverbs are some of the best and most versatile reverbs on the market. TC Classic Hall This reverb emulates a large hall with a broad and warm reverb, and a relatively long decay time. It preserves the natural characteristics of the original source, which gives you an incomparable and authentic large sound. Very often vocal source material call for the TC Classic Hall preset, but you can use it for a wide variety of studio and live applications. Hall Acoustic The Hall Acoustic preset is a broad yet slightly diffuse reverb. I