TC Electronic VoiceTone R1 Vocal Pedal

If you sing and play a MIDI keyboard, Harmony-M is a must. Not only does it make it easy to add vocal harmony, but it provides a complete vocal sound that normally requires much more equipment, knowledge and setup. Imagine a bright, compressed vocal sound with a touch of reverb on the verse and then kicking in harmonies on the chorus of your songs. You'll turn heads at every gig and rehearsal with Harmony-M. Harmony-M has a good ear for music. It listens to your performance and decides what harmony notes would sound best with your song. All you have to do is choose one of the presets, then play your keyboard and sing. No pre-programming or extensive musical or technical knowledge are required in order to use Harmony-M. VoiceTone R1 adds studio reverb polish to your live vocals by offering pro acoustic spaces from lush halls to tight ambience. With reverb algorithms ported from TC-Helicon's flagship VoicePro processor, VoiceTone R1 is capable of surrounding your voice in a warm ambience. Initial reflections, decay time and tail tone have been optimally balanced in the eight pre-set reverb styles so you can find the perfect sonic pillow for each song. Gaining access to the studio quality sounds and intelligent processing of VoiceTone singles is as simple as plugging in your mic and turning the effect on. Of course, you can always change the style or the amount of effect, but you shouldn't need to unfold the manual unless you're making a fire. Each VoiceTone single shares the same genes: a clean, quiet mic preamp that rivals high-end touring mixers, a die-cast metal case, rubberized no-slip base, studio quality analog to digital conversion, and the same quality processing you'd expect from our flagship vocal processors like VoiceLive 2. The revolutionary and patent pending Mic Control circuit is built into each VoiceTone single pedal. This allows TC-Helicon's MP-75 Modern Performance Vocal microphone's thumb switch to turn your VoiceTone single's effect on and off. Pic

Lexicon MX400XL Dual Stereo/Surround Reverb Processor

The Lexicon MX400XL dual-stereo (4x4) Processor is equally at ease in the studio or a concert hall, with a unique VST/AU software interface via USB, delivering the classic Lexicon sound. You no longer have to compromise between the instant control of plug-in effects and the warm, complex depth of a dedicated hardware-based processor. The MX400XL acts as a hardware plug-in within any VST/AU-compatible workstation environment. In live performance, the intuitive front panel design indicates which effects are active and provides control for each 24-bit processor. 99 carefully crafted factory presets offer stunning reverbs and effects (including dbx dynamics!), with 99 programmable slots. World-class Lexicon effects with a unique VST interface and the convenience of USB. Lexicon MX400XL Features 17 legendary LexiconA reverbs Lexicon delays & modulation effects dbxA compression and de-essing Quad-processor design 7 effect routing options 99 Factory and 99 user programs for Stereo mode 99 Factory and 99 user programs for Dual-Stereo mode 25 Factory and 25 user surround programs USB Hardware Plug-In feature with VSTA and Audio Units plug-in software MX-Edit Editor-Librarian software Dual SPDIF Digital Input and Output 24 bit; 48kHz and 44.1kHz sample rates Large front panel LCD display MIDI IN and THRU XLR balanced input and output PLUG IN PROGRAMMING & RECALL WITH THE POWER OF LEXION HARDWARE. You want the rich, luscious sound thata€ s defined studio reverb for three decades: a genuine Lexicon hardware processor. But you also want the flexibility of programming high-quality effects right insideyour DAW programa€|without bogging down your CPU or resorting to expensive processing cards. Have it all with the MX400XL. All parameters of every reverb, delay and dynamic effect in this powerhouse quad processor are available inside any VSTA or AU compatible DAW program. Just link your computer to the MX400XL with a USB cable and control all automation and recall parameters exactly as you would with any software plug-in a€" while enjoying the sonic benefits only Lexicon hardware can provide. Along with Lexicon's unique hardware plug-ins for PC and MacA, they've also included MX-Edit Librarian software so you can store and recall custom programs or pull up your choice of 223 genuine Lexicon settings including 25 dedicated Surround Programs. At its heart, the MX400XL is everything you would expect from the company that invented digital reverberation. Seventeen Lexicon reverbs, delays and modulation effects plus dbxA compression and de-essing. A generous LCD display and big comfy knobs you can getyour hands around. 4-IN/4-OUT VERSATILITY, HANDS-ON CONTROL & ROAD-RUGGED CONSTRUCTION. Meet the most Lexicon power ever offered in a super-affordable 1RU effects processor. Perfect for band PAs, churches and clubs. Lexicon knows you need to be able to make changes quickly, so they designed the MX400XLa€ s intuitive front panel to be a bare minimum of knob tw

Radial Engineering Proav1 Single-Channel Direct Box

The Radial ProAV1 is a passive direct box specifically developed with the audio-video integrator in mind. The ProAV1 features a variety of stereo inputs that are merged via a resistive mixer to mono, greatly simplifying signal management. To eliminate the need for various adapters, a "Swiss Army" array of connections are provided, including 1/4" for instruments, RCA and 1/8" connectors for consumer electronics and computers, and a +4dB XLR input(s) for professional systems. Front panel connectors can also be used as thru-puts to allow multiple patch points. Custom-wound transformers are employed that are able to withstand exceptionally hot levels while maintaining linearity from 20Hz to 18.5kHz. The resulting smooth Bessel curve is warm and natural, making the AV1 particularly adept at handling digital sources that can sound harsh. Transformer isolation adds the benefit of eliminating ground loops that cause audio hum and buzz and video hum bars or snow. The ProAV1 direct box is ideal for events that interlace audio with video where music sources can include iPods, CD players, and video decks. The Radial ProAV1 will be a welcome addition to the AV technician's tool box. ProAV1 Direct Box Setup: Plug your audio-video device into the ProAV1 using any number of connection options from XLR to 1/8" mini connector. L & R Stereo inputs are paralleled to the unused L & R input connectors so you can use these as thru-puts to connect to other devices or destinations. Stereo inputs are summed to mono at the XLR output. See the user manual for complete details about all the connection possibilities. A -15dB pad is provided to tame hot signals and the ground lift eliminates hum and buzz caused by ground loops. Application note: If you can only plug into one channel, or your mixer is set for mono output, just using a single mono cable or one side of the Y cable won t work. You ll lose half of your stereo mix. If you want to run mono (especially for long distances), the Radial ProAV1 will sum the stereo outputs to balanced mono and provide transformer isolation to protect your equipment from phantom power traveling back to the unit (causing it to burn out). Never, we repeat, never try to combine two signals into one with a Y cable or use a single mono cable. Here s why: Outputs are low-impedance and always must be connected to a high-impedance input. If you tie the two outputs together (with a Y cable or mono cable), each output will try to drive the other, which can force them beyond the safe current limit and possibly into short circuit. At minimum, you will experience a severe loss of signal. Worst case; you can damage your iPod or laptop. To avoid this, a resistive mixer is required such as that found in the Radial Engineering ProAV1. Remember, a Y cable that splits one signal into two is okay (stereo to 2 x mono). Combining two signals into one is right out!

Lexicon MX200 Dual Reverb Effects Processor with USB

The Lexicon MX200 has a user interface that is equally at ease in the studio or a concert hall, with a unique VST software interface via USB connection to recording programs, offering high flexibility and the classic Lexicon sound. In the studio, you no longer have to compromise between the instant control of plug-in effects and the warm, complex depth of a dedicated hardware-based processor. The MX200 acts as a hardware plug-in within any VST-compatible workstation environment. In live performance, its intuitive front panel design indicates which 2 effects are active and provides control for each 24-bit processor. 99 carefully-crafted factory presets offer stunning reverbs and effects (including dbx dynamics algorithms), with 99 programmable slots. The MX200 delivers Lexicona€ s world-class effects in a neat, single rack-space package, along with a unique VST user interface and convenient USB connection. Lexicon MX200 Features 16 legendary Lexicon reverbs Lexicon delays & modulation effects dbx Dynamics Dual-Processor design 4 Routing Configurations: Dual Mono Cascade Dual Stereo (Parallel) Mono Split 99 Factory and 99 User Programs USB z Hardware Plug-In Feature VST and Audio Units Plug-In Software MX-Edit Editor/Librarian Software SPDIF Digital Input & Output 24 bit, 48kHz Sample Rate Lexicon MX200 Effects Reverbs Small Hall Large Hall Small Plate Large Plate Room Chamber Gated Reverse Vocal Hall Vocal Plate Drum Hall Drum Plate Ambience Studio Arena Spring Delays Studio Delay Digital Delay Tape Delay Pong Delay Mod Delay Reverse Delay dbx Dynamics Compressor De-Esser Effects Chorus Flanger Phaser Tremolo / Pan Rotary Vibrato Pitch Shift Detune Two Processors. Two Unique Applications. One Rack Space. 32 Legendary Lexicon Effects. Endless Possibilities. Whether youa€ re looking for raw processing power with instant front-panel access for live performance, or seeking rich, smooth and complex processing algorithms in the studio, Lexicon brings the best of both worlds together in the MX200 Dual Reverb/Effects Processor. Designed with both live sound reinforcement and home recording in mind, MX200 features the deep, rich reverb and effects algorithms that built the Lexicon legend, and adds increased versatility with specialty effects and dbx dynamics. Each of the 32 stunning reverbs and effects a€" and their parameters a€" are all instantly accessible within a single button push or knob turn on the intelligently designed front panel without wading through bank after bank of tedious menus. Add powerful Editor/Librarian and VST / Audio Units software, and bring 35 years of Lexicon heritage to your desktop. Studio Operation In the studio, advances in computer-based recording have led many engineers to value the instant control and heads-up use of plug-in effects a€" but many still yearn for the rich, complex sound found in a dedicated hardware processor. Now, Lexicon provides a USB interface with intuitive cross-platform VST and Audio Unit plug-in win

Line 6 Pod Studio Ux1 With Pod Farm

This Line 6 POD Studio UX1 package includes the POD Farm plug-in and Ableton Live Lite 8-track recording software, an ideal platform for recording guitarists. This collection of studio-standard hardware and software provides instant pro guitar recording right out of the box. The Line 6 POD Studio UX1 boasts extremely low noise for recording guitar plus 12dB more dynamic range than similar interfaces, for clear and dynamic recordings. The exclusive Line 6 ToneDirect monitoring eliminates latency and allows you to record with amp and effect modeling without sacrificing tone or feel. Compact and powerful, the Line 6 UX1 recording interface features a 1/4-inch guitar input, a balanced XLR input with high-quality mic preamp, a pair of 1/4-inch line inputs, a 1/4-inch stereo monitor input, and a pair of 1/4-inch analog outs for a truly professional recording experience. Public Service Announcement: Latency KillsRecording with latency is like driving with your eyes closed. Line 6's ToneDirect monitoring allows you to record and monitor a fully processed guitar tone while virtually eliminating latency and taking all the guesswork out of recording great-sounding tracks. What's latency? Latency is the delay caused by the time it takes your guitar signal to travel all the way through your hardware interface, through your computer's processor, through your plug-in software, back through your hardware interface, and out of your speakers or headphones. This delay is significant in your monitoring signal and makes recording almost impossible. With a Line 6 POD Studio UX1 interface, latency is something you'll never have to deal with.

Radial Engineering X-Amp 500 Reamp

The Radial X-Amp 500 Reamp is one of the eight modules designed to be comprise the Radial Workhorse Rack and Mixer System that combines the popular 500 series platform with an incredibly flexible patching system to let you create the ultimate studio environment. The Radial X-Amp is a 500 series module that lets you take a pre-recorded guitar track and send it back to amplifiers and effects so that you can tailor the sound to suit. The advantages of Reamping are many: when recording, the guitarist need only concentrate on the performance. Working out specific sounds and optimal mic placement can be done later. This eliminates hours of tiresome repetition while allowing the producer to adjust the character of the track as the production evolves. Using the X-Amp is 'plug and play' easy to use. The design begins with an XLR balanced line level input located on the 500 series rear panel that feeds the X-Amp. To ensure the very highest fidelity, 100% discrete class-A circuitry is employed. The X-Amp unbalances and buffers the pre-recorded signal where it then feeds two transformer isolated hi-Z guitar level outputs. The " jacks are front mounted for desk-top convenience and equipped with ground lifts to help eliminate hum and buzz caused by ground loops. Independent level controls enable you to adjust the drive going to each amp for optimal tone. Should one of the amps be out of phase, depressing the 180 quickly brings both in line. The X-Amp Reamper works with guitars, basses, keyboards and even voice! You can send the signal through guitar effects pedals too. In fact the only thing holding you back is your imagination. Active Reamp designed for 500 series racks100% discrete class-A electronics for best tone Transformer isolated to eliminate hum and buzz Easy access front panel jacks & controls

Tc Electronic Finalizer 96K

The TC Electronic Finalizer offers full up- and down-sampling, 24-bit/96kHz resolution A/D/A converters, and 30 presets to automatically produce quality masters. Or specify 4 simple parameters and the wizard will do the setup. The Finalizer's Extremely advanced intuitive LCD interface gives you precision monitoring and control of every stage in the signal path: analysis of signal types, internal effects abilities, external inserts, EQ, spectral stereo imaging, normalizer, compressor/limiter/expander, crossover, and much more. XLR (AES/EBU), RCA (S/PDIF), and optical (Tos-link, ADAT) connectors, plus balanced XLR ins. Asynchronous conversion with 5 sample rates.24-bit/96kHz resolution A/D/A converters Enter and exit at any of 5 sample rates (32, 44.1, 48, 88.2, and 96kHz)5-band 24-bit stereo equalizer Dynamic EQ, stereo adjust, digital radiance generator or spectral stereo image enhancement Realtime gain maximizer for normalizing Variable-slope multiband expander Multiband compressor Variable-ceiling multiband limiter Manual or auto fadeL/R balance in 0.1dB steps Extremely advanced intuitive LCD30 presets Setup generating wizard

Boss Ve-20 Vocal Effects Processor

The Boss VE20 vocal performer is theA essential stompbox for vocalists!A TheA easy-to-use VE20 has been designed from the ground up for singers, featuring some of the finest vocal-effects technology on the market. With the click of a footswitch, you can instantly add lush vocal layers and harmonies to your singing, add realtime pitch-correction, and you can show your creative side with special effects such as Distortion, Radio, and Strobe. You can even create loops and layers in real time with the onboard Phrase Looper. Perform anywhere with the VE20 since it runs on AC (optional power supply) or battery power. Boss VE20 Vocal Performer Features Specialized effects for vocalists, including Harmony, Double-Track, Dynamics, Reverb, Delay, and more Create the total of 3-part harmonies and layers Realtime pitch-correction tools Special FX, including Distortion, Radio and Strobe Phrase Looper with 38 seconds (mono) of recording time Phantom power for condenser microphones Runs on six AA-batteries or optional AC adaptor (PSA120S) Easy operation, road-tough Boss construction Simple Quality Boss VE20 takes your voice to a whole new level! VE20 is packed with essential, high quality effects for vocalists such as Reverb, Delay, Dynamics, Chorus, and more. These effects has been difficult for vocalists to have control of, but now the VE20 offers incredible easy user interface to totally control your vocal sound. Simply dial up your favorite setting and sing a€" no programming required. VE20 is a practical vocal effects processor even for first timers. Of course, if you want to roll your sleeves up and create, the VE20 has a variety of editing tools onboard. Harmony Factory Add lush harmonies to your lead vocals instantly as you sing. Select the harmony interval of your choice, or create multi-part stacks, such as upper third and lower fifth, and save them for instant recall. You can also thicken your vocals with Double Track. Best of all, the VE20 is incredibly easy to use. Therea€ s no need for programming, and you dona€ t need to input notes from a keyboard as you do with a Vocoder a€" simply sing and let the VE20 do the rest! Phrase Loop Sing, record, loop, and overdub with the onboard Phrase Looper, inherited from Bossa€ s popular RC20XL Loop Station. You get 38 seconds of mono record time to loop and layer phrases, and you can do it all in real time onstage. From doo-wop to human-beatbox, this tool will wow audiences! Special FX In addition to its harmony and pitch-correction tools, the VE20 offers a colorful and expressive collection of special effects, including Electric (made famous by artists such as Cher and Black-Eyed Peas), Robot, Strobe (rotary), Distortion, Chorus, and Reverb. Road Tough Design With the same solid-metal construction as other Boss stompboxes, the VE20 is built to last. Its footprint is identical to Boss Twin-Series pedals, ensuring that it will fit perfectly into existing multi-pedal Boss pedalboards and travel cases.

Sonuus G2m Universal Guitar To Midi Converter

The G2M Guitar to MIDI Converter from Sonuus is universal because it doesn't need a special pickup mounted on your guitar. Instead, the G2M simply connects to your guitar like any other effects pedal or tuner. Designed to give accurate triggering, with low-latency, the Sonuus GM2 is a true plug-and-play solution for monophonic MIDI guitar. It can be used to sequence bass lines and guitar solos add an edge to your live performancesit opens up many creative possibilities. No modifications are required to your guitar, there are no special pickups to install, and nothing needs to be "stuck" onto your instrument. It works with all electric guitars. Robust PerformanceResearch has shown us that the most important aspect for pitch-to-MIDI conversion is reliable and reproducible triggering of notes. While low-latency is important, robust triggering is the key to usabilityyou can easily adapt to some latency, but you cannot adapt to random, spurious notes. By virtue of the unique, inherently robust technology used in the G2M you will be able to reliably generate accurate MIDI quickly and easily. Notes are generated exactly as played, and the nuances of your performance are captured with fast, accurate pitch-bend data. Improves Playing TechniqueFor optimal MIDI conversion, your guitar playing needs to be clean and accurate. Accidental notes, resonating open strings and other sounds can often be converted into undesired MIDI notes. Often you don't hear these when playing guitar yourself, but can detect them easily when listening live to the generated MIDI. Striving to improve MIDI note accuracy encourages clean picking and accurate fingering, with good control over non-sounding strings by damping them. Not only will your MIDI output be more accurate, your normal guitar playing will sound clearer and more professional. It's like having a tutor sitting beside you giving you advice. It's also great fun! Usage IdeasSequencing bass lines The G2M is great for sequencing natural-sounding bass lines. It is often more convenient to play the bass line using the higher octaves on the guitar where tracking is most accurate and latency is lowest. The resulting recorded performance can then be transposed in your sequencer to use as a bass line. Many sequencers will allow transposition of any number of semitones. Then, for example, you can play on the 3rd string and transpose back to the 6th string or lower. Enhancing live performances Mixing your live guitar sound and a synthesizer sound generated via the G2M and your sound module or software synth provides a new dimension to your playing. Add to searing lead lines with a detuned synth lead, add rich harmonies using a transposed patch, get a huge wall of sound using bass sounds an octave down to follow your lead playing or rhythm picking. Once your guitar signal is translated into the MIDI domain, there's no limit to the layering of sounds you can achieve. Guitar SolosTricky-to-play fast guitar parts such as solos can be recorded

dbx DriveRack 260 Complete Equalization and Loudspeaker Control System

The dbx DriveRack 260 continues the legacy of DriveRack series, which has been created by the company that has been redefining the standard of signal processing for more than 30 years. The DriveRack 260 was designed with the purpose and vision of providing state-of-the-art signal processing, while utilizing a simple and intuitive user interface. This goal has been achieved by offering two independent channels of processing power with a linkable 28-Band Graphic Equalizer, industry-standard dbx stereo compressor module, feedback eliminator and the 120A Subharmonic Synthesizer on the input, with a six channel output system that includes parametric EQs, PeakStopPlus limiters (to provide protection against speaker blowouts) and alignment delay. These features combined with the Wizard setup system and complete DriveWare GUI control represent a methodical design that is guaranteed to deliver optimal, all-inclusive processing in a completely scalable system. dbx DriveRack 260 Features Feedback Elimination 2.7 Seconds of Alignment and Zone Delay RS-232 PC GUI control Classic dbx Compression and Limiting Graphic and Parametric EQ Auto-EQ Function Full Bandpass, Crossover, and Routing Configurations Auto Gain Control Pink Noise Generator and fulltime RTA Setup Wizard with JBL speaker and Crown Power Amplifier Tunings Security Lockout Wall Panel Control Inputs There is a reason that Tour Sound Professionals and discriminating Audio Contractors choose dbx DriveRack products for their high-end tours and installs. The DriveRack products provide the tools that ensure that the system sounds its very best. With the introduction of the new 260, the heritage of unrivaled system/loudspeaker control continues. The dbx DriveRack 260 capitalizes on the road tested and contractor approved nature of the other products in the DriveRack line. The 260 provides full bandpass and crossover configurations as well as independent output processing and a full time RTA for live sound applications. Contractors will appreciate its control inputs for wall-panel logic control and the patent-pending Advanced Feedback Suppression (AFS).

dbx DriveRack PA+ Complete Loudspeaker Management System

The DriveRack PA has already become a staple of the complete package for live sound perfection. The easiest way to make your PA sound clearer, punchier and all around better sounding, the Dbx Driverack PA Plus adds even more features and an improvement of over-all functionality. More settings, more control and enhanced circuitry; the sound you seek is right at your fingertips.

TC-Helicon VoiceTone Synth HardTune and Vocoder Pedal

Finally, the effects you've heard on chart-topping tracks from artists pushing the envelope of vocal sounds are available in a pedal. VoiceTone Synth brings together a collection of exotic and current sonic mayhem including jagged HardTune effects, a MassiveBand Vocoder with voice-controlled synth and vocal distortion and megaphone effects. Now vocalists and anyone looking to add a modern edge to their live performances and studio productions can dial-in these effects instantly with the press of a footswitch. HardTuneThe jagged, stair-stepped vocal sound of key-based hard tuning is everywhere in contemporary R & B, Hip Hop and Electronica. This feature has eluded the majority of performing musicians until VoiceTone Synth came along. Now musicians can produce this effect live by simply recalling a preset and hitting the 'On' button. Easy key input methods include auto-instrument sensing or pushbuttons with a clear display of the current key. Other features of the HardTune effect include dry voice mixing, octave shift and character modification. VocoderThe vocoder in VoiceTone Synth is called 'Massive-Band' for a reason. It effectively scales resolution from ultra-clearly-enunciated Robot voices to the sound of the classic, analog low-band-count vocoders we all know and love. The benefit is that, while typical vocoders require a lot of pre-processing like distortion and EQ to hear the effect properly, with the VoiceTone Synth vocoder effect you can input signals such as clean acoustic guitar and vocode perfectly for sounds that until now have been impossible to achieve. Voice-controlled SynthThe Vocoder also features a voice-controlled synth modeconsidered by many as the Holy Grail for vocoding. Prior to VoiceTone Synth, vocoding required your voice (the exciter), and an instrument input (the carrier) to make cool vocoded sounds. Of course VoiceTone Synth supports the dual input method, but for artists who don't have another instrument or don't play one, VoiceTone Synth can generate a synth part directly from your vocal and vocode that. The result? Generated vocoder parts with one input: your voice. VoiceSupportVoiceSupport is a Windows/Mac application that via USB connects your VoiceTone Synth with our support network. What can you expect Access to software updates New preset downloads Support feed shows latest tips & tricks on using product Simple back-up and restoring of preset/setup data Product registration Hard Tune processor with option for octave shift and gender processing Vocoder effect with options for an external carrier input or various outboard synthesizer flavors Transducer effects create megaphones and distortion in series with HardCore and VocoderTone Processing with adaptive compression, Shape EQ and de-ess Clean, studio quality mic preamp with phantom power.10 user-editable presets with footswitch selectionXLR mono output with separate dry only outputUSB connectivity for update and back-up

TC Electronic M350 Reverb and Effects Processor

The TC Electronic M350 Dual-Engine Processor is extremely user-friendly and equally suited for live and studio applications. The M350 combines 15 brand-new TC-quality reverbs with 15 multi-purpose effects including delay, modulation and compression. Studio engineers and recording musicians will benefit from the included AU/VST compatible software editor, which allows for seamless control and editing integration with DAW systems. Through the included software editor, parameters and preset recalls may be fully automated or real-time controlled. High density 24 bit processing and AD/DA conversion delivers the full transparency of TC reverbs and effects. TC Electronic M350 Features Full DAW integration through VST/AU compatible editor 15 true and stunning stereo reverbs 15 legendary effects 5 seconds of delay 256 multi-effect/reverb presets + 99 user preset locations, a total of 355 presets Internal power supply a€" no wallwart! Dual send-return & serial style setups Auto-sensing 24 bit S/PDIF digital IO, 44.1-48 kHz Tap tempo Choice Selection of Effects The M350a€ s reverbs include: classic TC hall, cathedral, ambience, room as well as plates and springs, and the comprehensive effects section includes a number of essential compression, modulation and delay variations. Optimized Presets The 256 factory presets cover a wide range of applications and audio sources, and enable you to use the M350 right out of the box. With 99 additional user presets, the total number of presets amount to 355. Easy Front Panel Access M350 was designed with the utmost user-friendliness in mind. All reverb and effect types and parameters are accessible directly from the front panel, ensuring maximum flexibility in any given situation. Perfect for Computer Recording Through the included software, you can control and edit the M350a€ s parameters stand-alone and in any AU/VST environment. Comprehensive I/O The auto-sensing digital input at 24 bit S/PDIF ensures bullet-proof input connection in any setup. Furthermore, the M350 comes with an easy-to-read preset display, and provides MIDI in/out, MIDI clock tempo sync, pedal control of tap tempo, and global bypass. REVERB Reverb Introduction Inside the M350 youa€ ll find 15 shining world-class TC reverbs. Each of the reverb types is a result of extensive fine-tuning and research done at the TC reverb laboratories. Although the M350 is a non-expensive no-nonsense dual engine processor, youa€ ll find that the reverbs are some of the best and most versatile reverbs on the market. TC Classic Hall This reverb emulates a large hall with a broad and warm reverb, and a relatively long decay time. It preserves the natural characteristics of the original source, which gives you an incomparable and authentic large sound. Very often vocal source material call for the TC Classic Hall preset, but you can use it for a wide variety of studio and live applications. Hall Acoustic The Hall Acoustic preset is a broad yet slightly diffuse reverb. I

TC-Helicon VoiceLive 2 Vocal Floor Processor

The VoiceLive 2 floor-based vocal processor from TC Helicon makes it easier to lead your own vocal backup group while sounding rich and authentically human at the same time. It starts with a guitar, MIDI keyboard, or aux-input controlled vocal harmony algorithm with four intervals, each of which can be unison-doubled, or 8 discrete voices controlled by your MIDI keyboard playing. And when you want to tap into your gospel soul, VoiceLive 2 effects pedal gives singers a Choir algorithm that creates the massive multi-voice group vocal sound to bring home those classic choruses. Vocal effects pedal with more automatic features When you're worrying about parameter settings, you spend less time focusing on your music. So when TC Helicon set out to build VoiceLive 2, they automated several of its features. Auto MicGain Set the mic gain from a standing position just by singing. Once this is done there are no knobs to be jostled in transit and you can still do manual tweaks if you feel you'd like to. Auto GateFeedback a problem? An all-new Auto Gate listens to you and adjusts to reduce feedback and effects leak-through while you're not singing. Adaptive ToneA single push of the Tone button engages studio-quality Shape EQ, compression, and de-essing that adapts to the tonal range of your singing style and voice for increased impact and smoothed dynamics. Finally, your live singing can have that studio polish. Reverb and Delayducking Increase the sustaining tail of your reverb and delay effects while carving out plenty of room for your lyrics with ducking. The level of the effects is reduced while you sing and then subtly increases after your last syllable for a paradoxical deeper ambience with enhanced intelligibility. Of course, this is all automaticjust select a ducking reverb or delay style, and VoiceLive 2 does the rest.A vocal effects powerhouse All the processing power in VoiceLive 2 is available simultaneously to take your voice, your performances, and your music over the top. In addition to vocal harmony, you can construct or select preset effect chains containing effects to: Distort your voice Grunge is good. Make a statement with the Transducer block that also has 4 pole filters for great megaphone and telephone effects. Clone your voice Employ up to 4 voices of humanized unison overdubs in addition to the harmony voices. This sound has been used since recording began to fatten vocals. Now it's your turn. Expand your spaceA completely new reverb algorithm envelops your voice in dense ambiances from teeny live rooms to concert halls and bright plate simulations. Don't forget the delay block can serve to add depth or become a highlight effect whether it's using tap tempo or tape delay styles. Mod ya later The full Mod block brings lush chorus, slick microtuning, swooshing flange, and more to the party. Those half-time bridge sections never sounded more psychedelic. Random access Having a large chain of effects won't do as much good if you can't add and remove lin

Peavey Pv 23Xo 2-Way Stereo 3-Way Mono Crossover

The PV 23XO is a two-dual-channel crossover incorporating Peavey's legendary low-noise, low Distortion design. Ruggedly constructed, PV 23XO gives you the flexibility to establish a two-way Stereo system or run in a three-way Mono configuration. The PV 23XO has variable-state filter controls with 24 DB per octave filters and utilizes XLR inputs and outputs for balanced operation from 20 Hz to 20 kHz. -Peavey reinforces 'performance & value' legacy with new PV Series crossovers. Use as either a stereo 2-way for a simple, quick setup or go mono 3-Way for added flexibility. For added convenience, use the 100Hz Subwoofer output. Onboard Mute switches make for an easy job of soundchecking. -2-way stereo or 3-way mono -Mute switches -24 dB filters and mute switches -Fully-adjustable crossover frequencies and levels -XLR input and output connectors -Internal power supply-Dimensions 19" W x 1.75" H x 5.5" D (Unpacked); 20.25" W x 4" H x 7.25" D (Packed) / Weight 5.5 lbs. (Packed); 4 lbs. (Unpacked)

DBX PX Driverack - PX Powered Speaker Optimizer

The dbx DriveRack PX Powered Speaker Optimizer is the latest DriveRack family product, which provide flexibility, sonic excellence and intuitive control for performance applications. Specifically, the new PX is designed to enhance and optimize the performance of powered speakers, all in an intuitive package that requires no special skills to operate.

DBX 160A Compressor Limiter

The dbx 160a Compressor/Limiter decends from the 160 series, introduced in the mid 1970's, and is among world's most popular line of audio compressors. After the classic 160 (which is still used daily in many world class studios), came the 165, the 160X and the 160XT. The 160X/XT were the models that truly became the industry standard. Solid construction, fool proof operation, great sound, at-a-glance metering and a bulletproof output stage all contributed to its popularity with musicians, recording studios, consultants and installers, and broadcast media production people alike. The dbx 160A is a legendary dbx 160 family of compressor/limiters. The same classic sound, easy set-up and no compromise metering is now married to an improved signal path and stronger chassis design. The result is industry standard compressor/limiter which is digital-ready and road tough. dbx 160A Features OverEasy or classic hard knee compression with dbx's ultra-musical program dependent attack and release times Compression ratio variable from 1:1 through infinity: 1 to negative compression Precision dual RMS LED display monitors input or putput and gain reduction over a wide range and calibrates for different operating levels Over 60dB of gain reduction available Exclusive Infinity+ compression allows negative compression Independent balanced and unbalanced outputs can drive 600 loads to +24dBm simultaneously. New floating balanced output stage drives any load Optional output transformer capable Strappable with another 160A for true RMS stereo summing operation Featuring switch-selectable OverEasy and Hard Knee compression curves along with extremely wide-ranging threshold, ratio and output controls, the dbx 160A is up to any task. True RMS level detection provides the most natural-sounding dynamics processing available, from subtle compression to brick wall peak limiting. Choose low ratios and OverEasy compression to transparently smooth out fluctuating vocal and instrumental levels. Or use the 160A's Hard Knee compression and high ratios (up to and beyond: 1 and over 60dB gain reduction) for bombproof protection against overload distortion in digital recording, P.A. systems and broadcast signals. The 160A is fully compatible with +4/-10dB and balanced/ unbalanced systems, and its electronically balanced output stage is an outstanding line driver for long cable runs (an output transformer is optional). The 19-segment, switchable input/ output LED metering can be easily calibrated to any operating level. 12-segment gain reduction LEDs provide precise analysis at a glance. The dbx 160A's unique INFINITY + inverse-compression mode actually decreases the audio output level below unity gain when the input exceeds threshold, a real lifesaver for correcting overbearing vocal choruses and controlling runaway house mix levels. A detector input can be used with an equalizer for de-essing sibilant vocals and selectively smoothing out boomy notes on acoustic guitar and bass. An

dbx 166XS Dual Compressor Limiter Gate

Adding a DBX 166XS Compressor Limiter Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment.

TC Electronic VoiceTone C1 Vocal Pedal

From the wildly popular HardTune effect to subtle pitch correction and gender manipulation, the TC Helicon VoiceTone C1 opens up new vocal territory in an easy-to-use stompbox. Featuring a studio quality mic preamp with phantom power and a USB connection for tips, tricks, and updates. TC Helicon VoiceTone Singles Video Demos Click any of the video links on the left, then click Play to access the VoiceTone Singles demos TC Helicon VoiceTone C1 Pitch Correction Pedal Features From very subtle to hardA pitch correction effects Connects between your mic and mixer High quality signal path and tough enclosure Can be chained to additional VoiceTone Singles Can give you the robotic modern effect heard everywhere Power supply included Mild to Wild Pitch Correction Processing VoiceTone C1 has clean, transparent correction capability with unique control of musical input via the guitar input if desired. When transparency isna€ t your bag, cranking the attack and gender controls will turn the C1's pitch correction into the robotic modern effect heard everywhere. As Simple As Plugging In Your Mic Gaining access to the studio quality sounds and intelligent processing of VoiceTone singles is as simple as plugging in your mic and turning the effect on. Of course, you can always change the style or the amount of effect, but you shouldna€ t need to unfold the manual unless youa€ re making a fire. Strong family genes Each VoiceTone single shares the same genes: a clean, quiet mic preamp that rivals high-end touring mixers, a die-cast metal case, rubberized no-slip base, studio quality analog to digital conversion, and the same quality processing youa€ d expect from our flagship vocal processors like VoiceLive 2.

Radial Engineering Hotshot Dm1 Microphone Signal Muting Footswitch

Allows the vocalist to depress to mute his mic with a footswitch and redirect the signal to the monitoring system and/or intercom. This passive floor box is equipped with an XLR mic input, momentary footswitch, and main and monitor XLR outputs. Designed for dynamic microphones.

Bogen NEAR A12 200 W RMS Speaker - 2-way - Black

Marketing Information The NEAR A12 High-Output, Long-Throw Loudspeaker is the latest addition to the A-Series family of loudspeakers. Engineered to the same high standards, the A12 provides deep, rich bass and smooth highs as a complement to other NEAR loudspeakers. Type: Speakers Driver Units: Driver Type:1.90" Mylar Tweeter Driver Type:6.50" Woofer Frequency Response: Minimum Frequency Response 50 Hz - Maximum Frequency Response 17.50 kHz Nominal Impedance: Impedance:16 Ohm Dimensions & Weight: Width:10.3" Depth:10.5" Height:17.9" Features: RMS Output Power:200 W Crossover Type:2-way Color: Black Product Line: NEAR Form Factor: Wall Mountable

Hosa PDR-369 12-Channel Balanced XLR Patch Bay

Hosa PDR-369 12-Channel Balanced XLR Patch Bay

Rane RPM 88 Programmable Multiprocessor

Rane RPM 88 8x8 Programable Analog/Digital DSP Multiprocessor for Drag Net Network Control

Bosch DCONE EV Digital Speaker System Controller

Based on a two-in six-out topology the DC-One is designed primarily for users of small-to-medium sized sound systems in both mobile and installed applications. While the unit is an all-new development based on a powerful SHARC processor it is 100 percent compatible with all settings from other Electro-Voice signal processors including the Dx38- the best choice for achieving maximum performance with an EV loudspeaker system. A large part of DC-Ones development was aimed at ensuring that users can easily handle its serious digital horsepower and high-end audio performance. Though free PC-Editor software is available the DC-One can be easily operated via the front panel. Direct access buttons six predefined configuration modes (one being free configuration) straightforward output delay settings and true professional metering all allow for safe operation. DC-One's unique "front-panel access control" allows the user to select a personal library of accessible presets (out of 60 factory and 20 user presets). In addition the user can determine which individual parameters in each preset are locked (e.g. factory predefined output parameters) or editable (e.g. master EQ or delay settings). The DC-One has a 19-inch chassis that is deep enough to match typical amplifier depths a front panel USB connector for the PC-Editor and accepts either analogue or digital (AES-EBU) input signals; a six-dB input pad is available. The RS232 on the rear also provides eight contact closures for preset changes or allows two units to be linked for larger systems. The PC-Editor software as well as firmware updates allowing additional functions will be available online. Analog Inputs 2 XLR (Electronically Balanced) 2 XLR THRU OUT. (Electronically Balanced). Digital Inputs 1 XLR AES/EBU (2 Ch.). Analog Outputs 6 XLR (Electronically Balanced). Nominal Input Voltage 1.23V / +4dBu. Maximum Input Voltage 8.7V / +21dBu (Without -6dB Analog Pad Engaged). Nominal Output Voltage 1.23V / +4dBu. Maximum Output Voltage 8.7V / +21dBu. Input Impedance (balanced) 10 k? Output Impedance (balanced) 50 Ohms. A/D Conversion 24-Bit Delta-Sigma. D/A Conversion 24-Bit Delta-Sigma. Sample Rate 48 kHz. Data Format 24-Bit. Internal Processing 32-Bit Floating Point. Frequency Response 10 Hz - 22 kHz (+/- 0.5 dB). Dynamic Range 111 dB (unweighted band limited 22 Hz - 22 kHz). THD+N < 0.01% (band limited 22 Hz - 22 kHz). Control Protocol Front Panel USB Connector. Mains Voltage 100-240 VAC. Power Consumption 25W. Electronics Type Processor. Weight Net 4.6 kg ( 10.14 lbs ). Dimensions (HxWxD) 44.45 x 482.6 x 355.6mm (1.75" x 19" x 14")

Radial Engineering Prod8 Eight Channel Rackmount Di

The Radial ProD8 is a high-density rackmount 8-channel 19" direct box specifically designed to interface keyboards and pre-recorded backing tracks to the PA system with redundant inputs for live performance backup. The ProD8's input panel is equipped with two A-B 1/4" inputs per DI channel for main and back-up sources, throughput for personal monitoring and an effects loop that allows both A-B sources to share the same effects for each channel. The output panel features a XLR connector, -15dB input pad selector and ground lift witch. A 180° polarity reverse switch is internally mounted and factory set with pin 2 hot. Completely passive, the ProD8 employs eight custom wound Radial transformers that are linear from 20Hz to 18kHz and able to withstand highly dynamic levels from sources such as digital samplers and drum machines without flinching. To reduce interference from outside magnetic fields, the transformers are equipped with a mu-metal-nickel outer shield thus reducing phase distortion to an absolute minimum. For greater system setup flexibility, the Radial ProD8 DI Box features a reversible set of rack ears that allows the 1/4" input panel or the XLR output panels to be position at the front or back, depending on the system engineers preference.

Alto 2/3-Way Stereo /4-Way Mono Crossover

Your crossover is at the heart of your sound, so you don't want to let just any crossover hack away at your signal. With Alto AX2304 you can command your signal with precision. It's a professional crossover with high-quality filters, rugged casing and the

Samson S 3-Way Stereo/Mono Crossover, 24 dB/Octave Filters

The S 3-way is a versatile 2-way, 3-way and 4-way crossover with a difference. First, it's a perfect 2-way or 3-way stereo crossover. But its mode is also switchable for use as a 4-way mono crossover. The input gain features +/-12dB range with LED metering and Peak indicators. S 3-way features Low, Mid and High Frequency outputs with +/-6dB of gain control. Each output incorporates a Mute switch for monitoring the individual frequency bands and a phase switch to invert the phase of the output. The first crossover point is sweepable in three ranges: from 35Hz to 800Hz, from 350Hz to 8kHz with the 10X-Multiplier switch engaged, or from 16Hz to 400Hz in 4 way low-mode. The second crossover point is sweepable from 175Hz to 4kHz or from 350Hz to 8kHz depending on the setting of the mode switch. The S 3-way also includes a Delay section with up to 2ms of delay to time-align low frequency outputs for improved phase response of any PA system. S 3-way's global section features a variable threshold Limiter, a CD function (for constant directivity horns) and High Pass Filter. Full-featured, Stereo 3-way, Mono 4-way Electronic Crossover Phase Switches Invert the Phase of Individual Outputs Adjustable Low Frequency Delay for Time Aligning Speaker Stacks Mode Indicator LEDs Provide Quick Visual Display of Operating Mode 4 Segment LED Input Meter Allows Easy Gain Adjustment Precision Linkwitz-Riley, 24 dB/Octave filters Output Mute Switches for All Individual Outputs Constant Directivity EQ Smoothes the Response of CD Horns Above 3.5 kHz Peak Limiter with Independent Threshold Control and Peak LED High Quality 41 Position Detent Pots and Backlit Switches WARRANTY3 years parts and labor.

Alesis MicroVerb4 Preset/programmable 18-Bit signal processor

The MicroVerb4 is designed to provide a wide variety of great sounding, easy-to-use effects for small studios, engineers and performing musicians. The key to MicroVerb 4's power is in its simplicity. It offers 200 programs that include everything from high-quality reverb, delay, chorus and flange to exciting multi-effects and more. To customize your programs, two front panel knobs allow for quick, easy, user-storable edits, or use its MIDI inputs for control over program changes and modulation. You can then save your edited programs in the 100-space user program bank. Even though it's affordable and easy to use, the MicroVerb 4 offers the superb Audio quality that you should expect from every Alesis processor. -Features:-200 Programs chock-full of Professional effects-100 User program banks so you can customize to your liking-Perfect for studios of all sizes, and musicians of all kinds -Up to three simultaneous effects for rich multi-effects-Pro-grade 18-bit A-to-D and D-to-A Processing ensures quality-MIDI Input lets you change programs instantly from another source

Line 6 POD Studio KB37 USB Keyboard Controller

The Line 6 POD Studio KB37 is a USB audio interface and MIDI controller keyboard with Pod Farm Plug-in. The KB37 boasts incredibly low noise for recording guitar, and 12dB more dynamic range than similar USB audio interfaces for clear and dynamic recordings. Plus, the POD Studio KB37 interface's exclusive Line 6 ToneDirect monitoring virtually eliminates latency, so you record amp and effect modeling without sacrificing tone or feel. Half rock-solid guitar interface, half feature-packed MIDI controller, the Line 6 KB37 is as versatile as it is powerful. It features 37 full-sized velocity-sensitive keys, a pitch bend wheel, octave up/down buttons, and a set of software-assignable controls including a mod wheel, sound select next/previous buttons, five transport buttons, 4 knobs, and more. Its comprehensive I/O boasts a 1/4-inch guitar input (normal or pad), two balanced XLR inputs with high-quality mic preamps, phantom power and trim knobs, a 1/4-inch stereo monitor input, two 1/4-inch line inputs, two balanced 1/4-inch line outputs, S/PDIF digital output, a 1/4-inch stereo headphone output with level control, and a pair of assignable VU meters for a truly pro recording experience. Public Service Announcement: Latency Kills Recording with latency is like driving with your eyes closed. Line 6's ToneDirect monitoring allows you to record and monitor a fully processed tone while virtually eliminating latency and taking all the guesswork out of recording great-sounding tracks. What's latency? Latency is the delay caused by the time it takes your guitar signal to travel all the way through your hardware interface, through your computer's processor, through your plug-in software, back through your hardware interface, and out of your speakers or headphones. This delay is heard in your monitoring signal and makes recording almost impossible. With a POD Studio KB37 interface, latency is something you won't have to worry about. Start Recording Right Out of the Box POD Studio KB37 includes POD Farm plug-in, Ableton Live Lite Line 6 Studio Edition 16-track recording software (ideal for guitarists), and award-winning Reason Adapted production software featuring a sought-after sequencer and tons of stunningly lifelike instruments. This sample collection of studio-standard hardware and software provides instant pro recording, right out of the box.

BBE 882i Sonic Maximizer (1/4" TRS and XLR Connections)

This sonic maximizer restores audio signals' natural brilliance and clarity by adjusting phase relationships and augmenting high and low frequencies for balanced audio. The bypass switch offers comparison of processed to unprocessed signals.

Rolls CL151 GLC Gate Limiter Compressor Microphone Preamp

The Rolls CL151 is a very versatile processor and can be used in any application where you need single channel mic or line level input processing. It is primarily designed for connecting studio mics to the inputs of hard disc recorders and has all the input stage processing power you need and an unbalanced 1/4 in. line level output.

dbx 234s Stereo 2/3 Way Mono 4-Way Crossover

The secret to making speakers sound great lies with the crossover you use. With the DBX 234S Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of DBX knowledge and expertise in building the world's finest processors. The 234S uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234S leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. DBX 234S Stereo 2/3 Way Mono 4-Way Crossover Features TRS differentially balanced ins and outs Mode switches for mono 4-way or stereo 2-way/3-way operation Low frequency summed (subwoofer) output x10 range switch on both channels 40Hz high pass (low cut) filter both channels Phase reverse switch on all outputs Individual level controls on all outputs 24dB per octave Linkwitz-Riley filters (the professional standard) Stereo/Mono status LEDs indicate the selected modeA DBX 2 year parts and labor as standard CSA NRTL/C approved CE compliant The DBX 234S is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid click controls to the high quality 1/4 inchA TRS inputs and outputs.

Boss Dd-3 Digital Delay Pedal

The Boss DD3 Digital Delay Pedal delivers quality digital delay comparable to that of a dedicated rackmount unit. The DD3 features 3 delay time modes, and a delay control button is also furnished to give you fast, precise adjustments of delay time. Delay times range from 12.5ms to 800ms and a hold function lets you repeat the delay indefinitely. Free! on BOS DD3 PAK, AMS includes the PSA120S, an $18.95 value! Boss Pedals Recognized by guitarists everywhere as the world's first name in compact effects pedals, BOSS makes sure you get the tone you want every time you play. Whether it be classic or hard rock, blues, jazz, country, funk or something new, wild and completely on the edge, BOSS helps you find your tone. Beyond the killer effects pedals, BOSS is also constantly pushing the envelope to develop innovative multi-effects, rhythm machines and other easy-to-use instruments for musicians of all types. Put simply, BOSS gives you the great-sounding tools you need to spend more time making great music.

TC-Helicon VoiceWorks Harmony FX Voice Processor

The TC Helicon VoiceWorks Vocal Processor is hands-down the best harmony generator in its class. Creates 4-voice harmonies and 4 harmony modes and provides transparent pitch correction and fat automatic double-tracking, all so realistic you can solo them with confidence. It also includes superb T.C. Electronic effects and new HarmonyHold which lets you freeze your backing harmonies while you sing over them. Add a quality mic preamp, compression, EQ, tap-tempo delay, and reverbs and you have a complete vocal channel with 100 user presets. HybridShift harmony generation for smooth, natural sound4 independent harmony voices, 4 distinct harmony modes: scale, chord, shift, and MIDI notes2 lead-voice thickening voices one above, one below Humanization of harmony voices using FlexTime, vibrato, inflection, pitch randomization, and portamentoT.C. Electronic compressor/gateT.C. Electronic reverb/tap-tempo delay Song mode for live performance allows you to save internal sequences of up to 50 songs with 30 user presets per songMIDI CC control over all parameters Selectable equal-tempered and just tuning for harmonies Harmony Hold Scale-based pitch correction for studio and live performance Fully adjustable gender and voicing per voice High-quality mic preamp with 48V phantom powerTC Electronic 3-band EQ plus low cut

Fender Starcaster 25W Bass Amplifier Combo

Get more bump with our 25 watt Bass Amp. Furnished with a 3-band EQ, effects loop (preamp out, power amp in), and Auxiliary RCA input for CD/MP3 player, the Starcaster Bass Combo Amp brings more headroom than the everyday practice amp, and has a convenient front mounted headphone jack for silent practice. 10 speaker. Black carpet covering. Rugged black metal grille.

Roland Bk-7M Backing Module

The Roland BK-7m is a state-of-the-art module that packs an interactive band into a sleek, slim package. No bigger than a book, the BK-7m is a dream machine for the entertaining artist or solo musician who needs a backing band onstage, in the studio, or at home. With hundreds of great Tones, Music Styles, and rhythms onboardall quickly accessible with one-touch buttonsthe BK-7m will make you sound like a pro ensemble onstage. Choose from the library of built-in styles or play your own music files directly from USB for play-along accompaniment. You can even record your performances directly to USB memory for distribution and archiving. Sound GeneratorThe BK-7m is powered by a state-of-the-art Roland sound engine, packed with over 1,000 great Tones and dozens of drum and percussion kits. The module is able to handle 128 voices simultaneously, and is compatible with a variety of voicing formats, including GM2, GS, and XG Lite. Feed the BK-7m a quality Standard MIDI File, buckle up, and get ready for a great-sounding band. You can also use it as a high-quality sound module for a MIDI-compatible instrument such as a digital piano, V-Accordion, organ or guitar. Creative ControlIn addition to playing MIDI Files with its internal sound generator, the BK-7m can also play and manipulate audio files. Play MP3 or WAV files via USB and use the onboard controls to change key signature and tempo to best suit your vocal range or performance style. You can also use the BK-7ms Center Cancel feature to minimize the vocals from pre-existing songs to create instant karaoke-style sing-along tracks. USB CompatibilityTo expand the capabilities of the BK-7m, a USB port is provided for connecting to industry-standard USB storage devices such as a USB key or self-powered USB hard disk for playing and modifying/saving files. You can also use the USB port to record your performances as audio files (WAV, 16-bit/44.1kHz linear format) on a USB storage device. Video CompatibilityThe BK-7ms composite video output can be connected to an external monitor, which allows the audience or other musicians onstage to follow the lyrics and chord symbols of the performed song. Turn your show into a multimedia experience* Portable backing module compatible with MIDI-capable pianos, keyboards, accordions, organs* 1,000-plus tones, 57 drum kits, 128-voice polyphony* Over 400 high-quality music styles, each with four one-touch settings* Over 900 Music Assistants covering every musical genre* SMF and audio file playback via onboard USB connector* Audio recording in WAV format directly to connected USB storage device* Cover function for SMFs and Music Styles* Composite Video Out to display Lyrics and/or Chord Symbols on external display